投稿時間:2025-01-24 01:17:04 RSSフィード2025-01-24 01:00分まとめ(14件)

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IT	気になる、記になる…	Nothing、新製品の新たなティザー画像を公開 ｰ 引き続きスケルトンデザインを採用??	https://taisy0.com/2025/01/23/207878.html	nothing,ウインディ,スケッチ	2025-01-23 14:52:19
海外TECH	Ars Technica	As OpenAI launches $500B “Stargate” project, Musk cries foul	https://arstechnica.com/ai/2025/01/trump-announces-500b-stargate-ai-infrastructure-project-with-agi-aims/	Elon Musk questions funding for massive AI infrastructure project Altman defends financial backing	2025-01-23 15:00:56
海外TECH	Ars Technica	UK opens probe into Google’s and Apple’s mobile platforms	https://arstechnica.com/tech-policy/2025/01/uk-opens-probe-into-googles-and-apples-mobile-platforms/	Regulator will examine how the tech giants compete with one another treat developers	2025-01-23 14:29:42
海外TECH	Engadget	Star Trek: Section 31 review: An embarrassment from start to end	https://www.engadget.com/entertainment/streaming/star-trek-section-31-review-an-embarrassment-from-start-to-end-150051501.html?src=rss	Get enough Star Trek fans in a room and the conversation inevitably turns toward which of the series cinematic outings is the worst The consensus view is The Final Frontier Insurrection and Nemesis are duking it out for the unwanted trophy Each film has a small legion of fans who will defend each entry s campy excesses boldness and tone I m partial to watching The Final Frontier every five years or so mostly to luxuriate in Jerry Goldsmith s score Thankfully any and all such discussions will cease once and for all on January when Star Trek Section debuts on Paramount It is the single worst thing to carry the Star Trek name in living memory Spoilers follow for Star Trek Section Star Trek Section is a made for TV streaming movie focusing on Philipa Georgiou Michelle Yeoh after her departure from Star Trek Discovery It was originally greenlit in as a series but for a wide variety of reasons it languished in development hell until In the interim showrunners Bo Yeon Kim and Erika Lippoldt along with credited screenwriter Craig Sweeny sweated the idea Director Olatunde Osunsanmi told SFX Magazine via TrekMovie that Sweeny would eventually write and re write the project seven different times first as a TV series then as a movie Trek head honcho Alex Kurtzman was eager to get production underway to take advantage of Yeoh s Academy Award win for Everything Everywhere All At Once The result is a film that even if you re unaware of the pre production backstory sure feels like a series hastily cut down to feature length It s not incoherent but suffers from the same issue that blighted Discovery where you re watching a dramatized synopsis rather than a script There are thematic and plot beats that rhyme with each other but the meat joining them all together isn t there It s just stuff that happens It doesn t help that the plot credited to Kim and Lippoldt is very much of the and then this happens variety that they warn you about in Film School So many major moments in the film are totally unearned asking you to care about characters you ve only just met and don t much like There s a risible scene at the end where two people who haven t really given you the impression they re into each other have to hold hands and stare into their impending doom The pair in question have shared their backstories with each other but there s no suggestion that they are anything more than just people working together on a job let alone friends Michael Gibson Paramount Weak material is less of an issue if you have a cast who can elevate what they ve been given but and it pains me to say this that s not Michelle Yeoh Yeoh is a phenomenal performer who has given a litany of underrated performances over her long and distinguished career But she made her name playing characters with deep interiority not scenery chewing high camp villains Even in her redemptive phase it s impossible to believe Yeoh is the sort of monster Star Trek needs Georgiou to be Rather than shrinking the scene and the stakes to suit her talents the film makes the canvas wider and expects Yeoh to fill space she s never needed The rest of the gang is similarly underserved by the material and the sheer volume of clutter the film has little time to get past Making the Section team six people deep before they meet Georgiou means every character beyond her is a thumbnail sketch at best There s the broody one the funny one the uptight one the robot one the hot one and the one with the bad Oirish accent If Section was a series you d forgive the pithy introductions knowing you d get to fill in these characters over the coming weeks maybe even grow attached to them In the space of a movie it doesn t work since the shocking twists ーlike an early character death to raise the stakes or a sudden heel turn in a moment of crisis don t work Worse still the dialog is so often indecipherable crosstalk that feels more like woeful improv than useful characterization That or it s just characters reminding the audience of basic story points over and over again like the fact Georgiou used to be a baddie Olatunde Osunsanmi s direction has always made an effort to draw attention to itself with flashy pans tilts moves and Dutch angles Jarringly all of his flair leaves him when he needs to just shoot people in a room talking ーthose scenes invariably default to the TV standard medium Worse still is his action direction that loses any sense of the space we re seeing or the story being told There s a final punchfight that requires the audiences to be aware of who has the macguffin at various points But it s all so incoherent that you ll struggle to place what s going on and where so why bother engaging with it And that s before we get to the fact that Osunanmi chose to shoot all of Michelle Yeoh s ーMichelle Yeoh s ーfight scenes in close up When Yeoh is moving you want to capture the full extent of her talents and allow her and her fellow performers a chance to show off too And yet it s in these moments that the camera pulls in tight ーwith what looks like a digital crop with a dose of digital motion blur thrown in All of which serves to obscure Yeoh s talents and sap any energy out of the action Jan Thijs Paramount Before watching Section I re watched the relevant stories from Deep Space Nine and tried to interrogate their ethics That series asked several times over how far someone would could or should go to defend their ideals and their worldview The Federation was often described as some form of paradise but does paradise need its own extrajudicial murder squad It wasn t a wicked cool plotline but a thought experiment to interrogate what Starfleet and its personnel stands for when its very existence is in jeopardy If there s one thing that Section isn t it s cool and if you think it is then your values are at least halfway in conflict with Star Trek s founding ethos Unfortunately for us Trek honcho Alex Kurtzman does think Starfleet having its own space murder squad is wicked cool given their repeated appearances under his watch Kurtzman has never hidden his love of War on Terror era narratives which remain as unwelcome here as they were in Star Trek Into Darkness Sadly Section is Star Trek in its face punching forced interrogation cheek stabbing eye gouging thoughtless grimdark register Fundamentally it s not a fun thing to sit down and watch beyond its numerous deficiencies as a piece of cinema The biggest tell that Section wasn t going to be a winner was when Rob Kasinsky who plays Section s Zeph started getting his excuses in early He said via ScreenRant he was worried the film would be received poorly given all the fans want is just more episodes of TNG I ll admit there is a chunk of fandom who do just want to be fed a conveyor belt of memberberries These are the people who thought season three of Picard was good and are clamoring for Star Trek Legacy I and a lot of other people just want something that s halfway thoughtful entertaining and well made and this is none of those things I keep checking my notes for anything positive and the best I can manage is that the costumes co created with Balenciaga are quite nice They re a bit too Star Wars but I like the focus on texture and tailoring in a way that s better than Trek s current athleisure trend Oh and the CGI is competent and doesn t slip below the standards set down by Strange New Worlds There you go two things that are good about Section Fundamentally I don t know who this is for It s too braindead for the people who want Star Trek in any sort of thoughtful register It s not shot through with the fan service onanism that would pander to please the Star Trek Legacy crowd It s not quite shamelessly brutal enough for the gang who want Star Trek to turn into And it s not high camp enough for the folks who d like to coo over Michelle Yeoh in a variety of gorgeous costumes Remember how Warner Bros junked several movies for the tax break I wish Paramount s accountants had been as ruthless here This article originally appeared on Engadget at	2025-01-23 15:00:51
科学	NYT > Science	These Corals Are Made for Walking	https://www.nytimes.com/2025/01/22/science/walking-coral.html	With time lapse video scientists show how tiny mushroom corals can move themselves to influence their fate	2025-01-23 14:50:26
科学	NYT > Science	Cats May Have Gotten Bird Flu From Raw Pet Food. Here’s What to Know.	https://www.nytimes.com/2025/01/23/health/bird-flu-cats-food.html	The cases have spurred new pet food safety rules and poultry surveillance efforts	2025-01-23 15:00:06
海外TECH	Ars Technica	As OpenAI launches $500B “Stargate” project, Musk cries foul	https://arstechnica.com/ai/2025/01/trump-announces-500b-stargate-ai-infrastructure-project-with-agi-aims/	Elon Musk questions funding for massive AI infrastructure project Altman defends financial backing	2025-01-23 15:00:56
海外TECH	AppleInsider - Frontpage News	Oscars snub Apple TV+ movies, and Apple no longer cares	https://appleinsider.com/articles/25/01/23/oscars-snub-apple-tv-movies-and-apple-no-longer-cares?utm_medium=rss	The nominees for the th Academy Awards have been announced and Apple TV is not going to take home another Best Picture Oscar or anything else ーbecause it didn t try Blitz was the only Apple production to even make it as far as the Oscars shortlistNobody can ever take away from Apple that it was the first ever streamer to win a Best Picture Oscar for CODA It s not going to repeat that in but unlike Netflix Apple truly didn t try very hard this time That s clear not from the lack of nominations but from the Oscars shortlist ーand before that from Apple s own PR attempts Every year studios mount campaigns known as For Your Consideration trying to get the Academy s voters to at least watch key films and Apple pushed four titles Continue Reading on AppleInsider Discuss on our Forums	2025-01-23 15:52:54
海外TECH	AppleInsider - Frontpage News	If your iPhone alarms aren't going off, you're not alone	https://appleinsider.com/articles/25/01/23/if-your-iphone-alarms-arent-going-off-youre-not-alone?utm_medium=rss	It might not be new year new me for the iPhone yet as scattered reports across social media show that the iPhone is yet again failing to wake people up The iPhone seems to be sleeping on the job once moreNothing starts the day off on the wrong foot like missing your alarm when you ve got somewhere to be or something to do Unfortunately for some iPhone owners that seems to be the exact situation they ve found themselves in Stop us if you ve heard this before A quick check on X shows plenty of iPhone owners reporting that their alarms are not going off or are going off silently A smaller subset of people are reporting that their alarms are going off at the incorrect time Continue Reading on AppleInsider Discuss on our Forums	2025-01-23 15:46:23
海外TECH	ReadWriteWeb	Latest Marvel Rivals leak points to more X-Men members joining the roster	https://readwrite.com/marvel-rivals-leak-x-men-members/	Marvel Rivals is continuing to provide the content with a fresh new Season and more events to sink your teeth Continue reading Latest Marvel Rivals leak points to more X Men members joining the rosterThe post Latest Marvel Rivals leak points to more X Men members joining the roster appeared first on ReadWrite	2025-01-23 15:20:47
海外TECH	ReadWriteWeb	New report seeks to ensure AI advances are available to all young people, regardless of background	https://readwrite.com/new-report-seeks-to-ensure-ai-advances-are-available-to-all-young-people-regardless-of-background/	A new report by the EY Foundation an independent charity supporting young people from low income backgrounds has highlighted what it Continue reading New report seeks to ensure AI advances are available to all young people regardless of backgroundThe post New report seeks to ensure AI advances are available to all young people regardless of background appeared first on ReadWrite	2025-01-23 15:05:16
海外TECH	Engadget	Star Trek: Section 31 review: An embarrassment from start to end	https://www.engadget.com/entertainment/streaming/star-trek-section-31-review-an-embarrassment-from-start-to-end-150051501.html?src=rss	Get enough Star Trek fans in a room and the conversation inevitably turns toward which of the series cinematic outings is the worst The consensus view is The Final Frontier Insurrection and Nemesis are duking it out for the unwanted trophy Each film has a small legion of fans who will defend each entry s campy excesses boldness and tone I m partial to watching The Final Frontier every five years or so mostly to luxuriate in Jerry Goldsmith s score Thankfully any and all such discussions will cease once and for all on January when Star Trek Section debuts on Paramount It is the single worst thing to carry the Star Trek name in living memory Spoilers follow for Star Trek Section Star Trek Section is a made for TV streaming movie focusing on Philipa Georgiou Michelle Yeoh after her departure from Star Trek Discovery It was originally greenlit in as a series but for a wide variety of reasons it languished in development hell until In the interim showrunners Bo Yeon Kim and Erika Lippoldt along with credited screenwriter Craig Sweeny sweated the idea Director Olatunde Osunsanmi told SFX Magazine via TrekMovie that Sweeny would eventually write and re write the project seven different times first as a TV series then as a movie Trek head honcho Alex Kurtzman was eager to get production underway to take advantage of Yeoh s Academy Award win for Everything Everywhere All At Once The result is a film that even if you re unaware of the pre production backstory sure feels like a series hastily cut down to feature length It s not incoherent but suffers from the same issue that blighted Discovery where you re watching a dramatized synopsis rather than a script There are thematic and plot beats that rhyme with each other but the meat joining them all together isn t there It s just stuff that happens It doesn t help that the plot credited to Kim and Lippoldt is very much of the and then this happens variety that they warn you about in Film School So many major moments in the film are totally unearned asking you to care about characters you ve only just met and don t much like There s a risible scene at the end where two people who haven t really given you the impression they re into each other have to hold hands and stare into their impending doom The pair in question have shared their backstories with each other but there s no suggestion that they are anything more than just people working together on a job let alone friends Michael Gibson Paramount Weak material is less of an issue if you have a cast who can elevate what they ve been given but and it pains me to say this that s not Michelle Yeoh Yeoh is a phenomenal performer who has given a litany of underrated performances over her long and distinguished career But she made her name playing characters with deep interiority not scenery chewing high camp villains Even in her redemptive phase it s impossible to believe Yeoh is the sort of monster Star Trek needs Georgiou to be Rather than shrinking the scene and the stakes to suit her talents the film makes the canvas wider and expects Yeoh to fill space she s never needed The rest of the gang is similarly underserved by the material and the sheer volume of clutter the film has little time to get past Making the Section team six people deep before they meet Georgiou means every character beyond her is a thumbnail sketch at best There s the broody one the funny one the uptight one the robot one the hot one and the one with the bad Oirish accent If Section was a series you d forgive the pithy introductions knowing you d get to fill in these characters over the coming weeks maybe even grow attached to them In the space of a movie it doesn t work since the shocking twists ーlike an early character death to raise the stakes or a sudden heel turn in a moment of crisis don t work Worse still the dialog is so often indecipherable crosstalk that feels more like woeful improv than useful characterization That or it s just characters reminding the audience of basic story points over and over again like the fact Georgiou used to be a baddie Olatunde Osunsanmi s direction has always made an effort to draw attention to itself with flashy pans tilts moves and Dutch angles Jarringly all of his flair leaves him when he needs to just shoot people in a room talking ーthose scenes invariably default to the TV standard medium Worse still is his action direction that loses any sense of the space we re seeing or the story being told There s a final punchfight that requires the audiences to be aware of who has the macguffin at various points But it s all so incoherent that you ll struggle to place what s going on and where so why bother engaging with it And that s before we get to the fact that Osunanmi chose to shoot all of Michelle Yeoh s ーMichelle Yeoh s ーfight scenes in close up When Yeoh is moving you want to capture the full extent of her talents and allow her and her fellow performers a chance to show off too And yet it s in these moments that the camera pulls in tight ーwith what looks like a digital crop with a dose of digital motion blur thrown in All of which serves to obscure Yeoh s talents and sap any energy out of the action Jan Thijs Paramount Before watching Section I re watched the relevant stories from Deep Space Nine and tried to interrogate their ethics That series asked several times over how far someone would could or should go to defend their ideals and their worldview The Federation was often described as some form of paradise but does paradise need its own extrajudicial murder squad It wasn t a wicked cool plotline but a thought experiment to interrogate what Starfleet and its personnel stands for when its very existence is in jeopardy If there s one thing that Section isn t it s cool and if you think it is then your values are at least halfway in conflict with Star Trek s founding ethos Unfortunately for us Trek honcho Alex Kurtzman does think Starfleet having its own space murder squad is wicked cool given their repeated appearances under his watch Kurtzman has never hidden his love of War on Terror era narratives which remain as unwelcome here as they were in Star Trek Into Darkness Sadly Section is Star Trek in its face punching forced interrogation cheek stabbing eye gouging thoughtless grimdark register Fundamentally it s not a fun thing to sit down and watch beyond its numerous deficiencies as a piece of cinema The biggest tell that Section wasn t going to be a winner was when Rob Kasinsky who plays Section s Zeph started getting his excuses in early He said via ScreenRant he was worried the film would be received poorly given all the fans want is just more episodes of TNG I ll admit there is a chunk of fandom who do just want to be fed a conveyor belt of memberberries These are the people who thought season three of Picard was good and are clamoring for Star Trek Legacy I and a lot of other people just want something that s halfway thoughtful entertaining and well made and this is none of those things I keep checking my notes for anything positive and the best I can manage is that the costumes co created with Balenciaga are quite nice They re a bit too Star Wars but I like the focus on texture and tailoring in a way that s better than Trek s current athleisure trend Oh and the CGI is competent and doesn t slip below the standards set down by Strange New Worlds There you go two things that are good about Section Fundamentally I don t know who this is for It s too braindead for the people who want Star Trek in any sort of thoughtful register It s not shot through with the fan service onanism that would pander to please the Star Trek Legacy crowd It s not quite shamelessly brutal enough for the gang who want Star Trek to turn into And it s not high camp enough for the folks who d like to coo over Michelle Yeoh in a variety of gorgeous costumes Remember how Warner Bros junked several movies for the tax break I wish Paramount s accountants had been as ruthless here This article originally appeared on Engadget at	2025-01-23 15:00:51
海外TECH	Raspberry Pi	Addressing the digital skills gap	https://www.raspberrypi.org/blog/addressing-the-digital-skills-gap/	The digital skills gap is one of the biggest challenges for today s workforce It s a growing concern for educators employers and anyone passionate about helping young people succeed Digital literacy is essential in today s world whether or not you re aiming for a tech career ーyet too many young people are entering adulthood without the The post Addressing the digital skills gap appeared first on Raspberry Pi Foundation	2025-01-23 15:31:34
海外TECH	Cisco Blog	Uncover the latest upgrades in the NSO Sandboxes	https://blogs.cisco.com/developer/uncover-the-latest-upgrades-in-the-nso-sandboxes	After many months of work I m happy to share that our NSO reservable sandbox and NSO Always On sandbox have received a well deserved upgrade The NSO sandboxes are a great companion as you go on your automation journey and when you need a quick environment to test your ideas Additionally the best thing is the NSO	2025-01-23 15:42:42